As much as I love young adult and children fantasy/sci-fi/dystopia, I am tiring of it. Everything is starting to feel derivative. I just read Divergent by Veronica Roth, which actually is derivative, but I may have been more forgiving of its lapses a year ago. (I should point out, though, that the book's penchant for sensationalism still had me reading to the end non-stop.)
But I still love what makes these fantastic genres so appealing: the emphasis on action, imagination, and the presence of a hero figure. I love a well-plotted story with significant character development – action with lots of heart.
I still want all this but now I want it in a story that is in touch with the real. Harry Potter was contemporary while still feeling traditional, and the Percy Jackson series sets its demi-god heroes in the present as well. These books are still very heavy in world-building, though, and this distracts from the "real." I am yearning for a book that pushes against reality, while still having that special something that sets it apart from pure contemporary fiction.
For example, I loved Ransom Riggs’ Miss Peregrine’s Home for Peculiar Children because of how concerned it is with human history: although the plot of the book doesn’t directly revolve around the Holocaust and World War II, these events shape the lives of our characters and the events of the story. But Riggs’ novel isn’t contemporary fiction or realistic; it’s gothic, horror, sci-fi (a hodgepodge that makes the work innovative). But what’s really satisfying is how the novel grapples with rather than parodies real human events.
I bet I am not the only one who is starting to (or will start to) feel a bit tired of a market that’s so removed from historic or real events. It makes me think that the next big thing in YA & children is going to be fiction that bridges reality with everything that makes fantasy and related genres great -- Hunger Games has paved the way toward that (but the Hunger Games series is set in another reality altogether). I am really excited, for example, for The Age of Miracles by Karen Thompson Walker (Release Date: June 2012). The book sounds like another dystopia, but from the description in The Guardian and the way Lynn Henry (Publishing Director, Doubleday Canada) raves about it, the book seems prescient and deeply affected by the world today.
This thoughtful piece on magical realism and YA seems to be in line with my instinct that the market is going to become tired of fantasy that's removed from contemporary (and I suppose I should say political) realities. YA is so new, though, it could splinter into many directions all at once. The genre is still discovering itself -- and I am excited about its potential to not only inspire the imagination, but also our intellect.
This thoughtful piece on magical realism and YA seems to be in line with my instinct that the market is going to become tired of fantasy that's removed from contemporary (and I suppose I should say political) realities. YA is so new, though, it could splinter into many directions all at once. The genre is still discovering itself -- and I am excited about its potential to not only inspire the imagination, but also our intellect.